Listeners familiar with the originals, however, may have trouble with Rage's covers of EPMD's "I'm Housin'," the Stones' "Street Fighting Man," and Dylan's "Maggie's Farm," a trio of original versions whose anger and emotion were conveyed more in the lyrics than the performances. Indeed, Renegades begins with a pair of powerful hip-hop covers - Eric B & Rakim's "Microphone Fiend" and Volume 10's "Pistol Grip Pump" - that spotlight Rage's immense strengths: Tom Morello's clean, heavy riffing and vocalist de la Rocha's finely tuned spray of vitriol, just this side of self-righteous.Īnother hip-hop blast (and the one closest to home), Cypress Hill's "How I Could Just Kill a Man," is even more devastating, an easy pick for the highlight of the album. ![]() Rush released after the late-2000 split between Zack de la Rocha and the rest of Rage Against the Machine, the covers album Renegades salutes the band's musical and philosophical roots, ranging from the old-school Bronx to the hard-rockin' Motor City to protest-central Greenwich Village to gangsta-ridden L.A.Īs could be expected, the set works best when the group focuses on material from its most recent forebears: rappers and hardcore bands.
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